Showing posts with label lance cowan. Show all posts
Showing posts with label lance cowan. Show all posts

Friday, January 19, 2024

LANCE COWAN RELEASES FIRST SINGLE FROM FORTHCOMING ALBUM "SO FAR SO GOOD"


PRE-SAVE ALBUM HERE

Lance Cowan’s first single, “This Heart Of Mine,” from his upcoming album release, "So Far So Good" (release date: Feb. 23 on CPI/The Orchard) is available today, January 19, 2024. - LISTEN HERE.

“Over the years, so many folks have supported my songwriting, waiting on me to actually release an album,” Cowan said. “I can’t say how much I’ve appreciated their patience and how they’ve stood behind me and allowed me to find the right time for this project. I’m overwhelmed by the response.“

For the past 30 years, Lance Cowan has worked behind the scenes with some of the country’s finest songwriters, including Joe Ely, Jimmie Dale Gilmore, Butch Hancock, Michael Martin Murphey, Nanci Griffith, Guy Clark and many more.

Pat Flynn, who plays on the album, is a hit songwriter for such artists as Garth Brooks and is perhaps best known for his work with wildly influential New Grass Revival, recently observed “Of course, writing good songs puts one in a fairly exclusive group – but actually creating a distinctive voice, form and style is to ascend into rarified air. Lance Cowan has achieved a very distinctive style, warm and engaging, but most importantly, recognizable. Lance continues to make a significant contribution to songwriting, not just as a form of expression, but as creative art at the highest level.”

Like so many, Cowan came to Nashville planning to make a living in the music business. His foot in the door at a leading music pr firm, Network Ink, led to work with the likes of New Grass Revival (Sam Bush, Pat Flynn, John Cowan & Bela Fleck), Charlie Daniels, Nanci Griffith, Reba McEntire and many more. It wasn’t long before he moved to powerhouse Vector Management, which represented Griffith, New Grass Revival, Steve Wariner, Ely, Lyle Lovett and more. As an independent publicist, he has worked with artists as diverse as Ely, Clarence “Gatemouth” Brown, Bobby Charles, Murphey, Drew Holcomb and many more. As a songwriter, his works have been covered by the likes of Joan Baez, Janis Ian and David Mallett, to name a few.

For So Far So Good, Cowan assembled some of the finest musicians in the world, including Dan Dugmore (Linda Ronstadt, James Taylor), Sam Bush, Flynn (New Grass Revival), Dave Pomeroy (Don Williams), Andrea Zonn (James Taylor), Keith Sewell (The Chicks), Robert Reynolds (The Mavericks), Jay Turner, among others.

Tuesday, November 14, 2023

JOIN MICHAEL MARTIN MURPHEY FOR A "COWBOY CHRISTMAS"


Join Michael Martin Murphey for "Cowboy Christmas" this year! For over 30 years he's been bringing his "Cowboy Christmas" to cities all over the country and this year is no different as he will hit 5 states and 16 cities in just under 21 days! This year he's continued some traditions … Rio Grande Band, Rock Mountain Vintage Dancers, Multimedia presentations … and he's added something new, Kyle Dillingham. A dynamic performer in his own right, Kyle will join the band and they will feature him (as well as the spectacular Carin Mari) throughout the evening. 

Monday, May 16, 2022

JUST IN TIME FOR FATHER'S DAY: MICHAEL MARTIN MURPHEY AND SON RYAN MURPHEY RELEASE "ROAD BEYOND THE VIEW"

In 1973, famed singer / songwriter Michael Martin Murphey invited his 3-year-old son, Ryan to the stage with he and his friend, Willie Nelson, at the Abbot Reunion in Austin. Three years later when Ryan was 6, he joined his dad for a taping of Austin City Limits. He was in the studio at Caribou Ranch in Colorado for the landmark recording of Blue Sky Night Thunder (which yielded top pop hits ”Wildfire” and “Carolina In The Pines”). By the time Ryan was 17, he was performing regularly with Michael and the two even shared a top 10 radio hit, “Talking To The Wrong Man.” Ryan went on to be his father’s lead guitarist of choice, and even produced the Grammy nominated Buckaroo Bluegrass and Michael’s subsequent albums.

But the newest release, Road Beyond The View, slated for release on June 10, 2022, is their first truly collaborative record.

“For the first time in my career, I decided to make an album that is a full collaboration with another artist – my son Ryan Murphey,” says Michael. “We wrote, arranged, produced and performed all of the songs together. The result is something different than either of us have done before, yet it contains all the things with which we’ve experimented.”

Michael’s first album, Geronimo's Cadillac was given a rave review in Rolling Stone for his eclectic songwriting style: 50 years later he's still one the most eclectic singer-songwriters out there. Michael Martin Murphey has never lost his passion for exploring and pushing the boundaries. In the 70s, when pioneering the Texas Music Scene centered in Austin with friends Jerry Jeff Walker, Jimmy Buffett, Townes Van Zandt, Guy Clark and Willie Nelson, he topped the pop charts with hits like “Geronimo’s Cadillac,” “Wildfire” and “Carolina In The Pines.”

Michael followed with a string of Country hits including “Long Line of Love,” “What’s Forever For” and “Still Taking Chances,” then turned his attention to American Cowboy Music with the release of Cowboy Songs, and became the number-one selling artist of Cowboy Music since Marty Robbins. He then focused on the world of bluegrass, again topping the charts and earning a Grammy nomination to boot. Along the way, Michael played music with symphonies, cutting-edge Jazz ensembles, Country, Folk and Bluegrass greats - and even performed in churches like Holy Angels in Kansas, where he made a live album with an expert pipe-organist.



Michael's long-time production and songwriting partnership with Ryan has been enhanced by Ryan's position as the head teacher of the Guitar program, AP Literature and Composition at the prestigious Nashville School of the Arts. Together, the father and son collaboration finds them returning to New Mexican and Southwestern dreamscapes they have known and lived, lyric and vocals set against complex acoustic and electric guitar work.

“It's country, it’s jazz, it’s pop, classical and folk,” Michael says. “It’s a little bit of all of those things. When I was in high school, I was a big jazz fan, but I was also a Bluegrass fan. I was a classical music aficionado, but also a hillbilly and cowboy music fanatic. I drove my parents crazy with folk and flamenco, Charles Ives and Johnny Cash! I still love genre-jumping!"

"I have always been inspired by the pastiche approach that my dad takes to songwriting,” Ryan adds. “I have never seen boundaries in music because of this influence. It is truly an Americana philosophy in the sense that freedom of expression is undeniably what this melting pot is all about. It is also Western in that there is always a new frontier to explore, and that wide open way of thinking makes it into our lyrical concepts. The Southwest, especially for me, is an example of where jazz, country, blues, pop, and latin music come together and are my favorite examples of how our American quilt lives on.”

In a sense, Road Beyond The View represents a full circle turn for the Murpheys. “When he was 6, I taught Ryan to play guitar,” laughs Michael. “I decided it was time for me to start taking more guitar lessons. So I went online with Ryan by way of Zoom and FaceTime and he painstakingly gave me Classical and Jazz guitar lessons.That led to the making of the Road Beyond the View album together."

The Murpheys, who consider New Mexico a second home, found inspiration in the Abstract Impressionism mixed with Realism, Abstract Impressionism, Imagist and Surrealism from Santa Fe. Taos and Southwestern artists.The cover features a painting from noted Taos artist Ed Sandoval, and the Murpheys were inspired by the work of New Mexico icon Georgia O’Keefe.

The title track, in particular, has many references to O’Keefe’s work. “I’ve had a lifelong obsession with New Mexico’s artists,” says Michael. “My own songwriting style is actually an experimental mixture of Abstract Expressionism, Surrealism and Imagist Poetry. My heroes in poetry are William Carlos Williams, James Joyce, Amy Lowell and Ezra Pound. My heroes in painting are Georgia O'Keefe, Salvador Dali, Ed Sandoval, Nicholai Fechin and William C. Matthews. Matthews has done several of my album covers."

“Road Beyond The View,” the title track, contains the central idea of the collection, Michael explains. “As human beings we are all on an risky, adventurous journey. No matter how much we plan, we encounter the unexpected along the way. The way we deal with that is the measure of our lives, the thrill of living is being open to what is around the bend that may be surprising – even shocking.

“What is encountered is sometimes inscrutable,” he continues.“Georgia O’Keefe’s arresting images in her paintings present an ineffable beauty beyond all understanding- making her a renegade. Design lives on in the skeleton where life once hung on the bones. The bones themselves have a kind of eternal life. The story told is multi-faceted, many-sided and open to interpretation."

Finally, says Michael, "I’m going to keep making music and experimenting with sounds and lyrics based on the unexpected; I have no idea where all of this will lead. Every day, I pray ‘God, lead me, but surprise me!’ This Road Beyond the View album is meant to be a theme song for a philosophy of living.”




Wednesday, April 6, 2022

TEMPLETON THOMPSON JOINED BY MICHAEL MARTIN MURPHEY ON NEW ALBUM


As she prepares for the release of her new album "Get Back Up", Templeton Thompson wanted to share this video of the single, "Ride A Wide Circle." The video features a guest appearance from the legendary Michael Martin Murphey ("Wildfire," "Carolina In The Pines," "What's Forever For." The song is featured on the new album, set for release on April 22. 


Templeton's credits include cuts by the likes of Reba McEntire, Little Texas and Jo Dee Messina. Her songs have, over the past two years, topped the charts in Australia. Her fans include Clay Walker, Australia’s Gina Jeffreys, and western singer Michael Martin Murphey.

For more information on Templeton Thompson, go to www.templetonthompson.com

Tuesday, October 19, 2021

MICHAEL MARTIN MURPHEY TO BE INDUCTED INTO TEXAS TRAIL OF FAME

Texas native and genre-busting recording artist Michael Martin Murphey has been named among nine inductees into The Texas Trail of Fame honors. A public ceremony is scheduled for Saturday, October 23 at 10 a.m. on the steps of the Livestock Exchange Building in the historic Ft. Worth Stockyards. A sold-out recognition dinner is set for Thursday, October 21 at 6 p.m.

A celebration of Texas culture and Western Heritage, the Texas Trail of Fame was established to honor individuals who have made a significant contribution to the Western way of life.

Along the walkways of the Fort Worth Stockyards National Historic District, bronze inlaid markers are placed in recognition of honorees’ achievements. These markers are patterned after a frontier marshall’s badge and are inscribed with the honoree’s name.It is the desire of the Texas Trail of Fame that reflecting upon these Westerner’s accomplishments will serve as both an educational adventure for the visitor and an inspiration. The ceremonies are scheduled during the 60th Annual Red Steagall Cowboy Gathering, which takes place from October 22 – 24 throughout the Stockyards.

Murphey’s Trail of Fame marker will be placed in front of Billy Bob’s Texas, which is fitting as he has performed the famous venue several times in his five-decades long career.

A proud son of Texas where his family settled in 1858, Murphey’s music blends many genres, including pop, country, Western, Celtic, jazz and bluegrass, and focuses on his personal life as a Southwestern “pilgrim.” Murphey has released over 35 albums. His song “Wildfire” is among the most-aired songs in radio history. His other hits include “Carolina In The Pines,” “Cowboy Logic,” “Geronimo’s Cadillac,” “What’s Forever For?” “Long Line of Love,” “Boy From The Country,” and “Cherokee Fiddle,” among others.

In mid November, Murphey launches his popular Cowboy Christmas Tour, with stops planned in across Texas, New Mexico, Colorado and Oklahoma, among others.Highlighted this year by a special DFW performance at the Texas Trust CU Theatre in Grand Prairie. Tickets are available for all shows on

https://www.michaelmartinmurphey.com/

For more than a quarter century, Murphey has celebrated a tradition that began in Texas in 1885, taking the show across the Southwest to honor Christmas – cowboy style. A multiple Wrangler Award recipient, Murphey was recognized in 2019 with a Lifetime Achievement Award from the National Cowboy and Western Heritage Museum and National Cowboy Hall of Fame and serves on the Western Folklife Center’s National Advisory Council.

For more information and to see other 2021 inductees, visit:

https://texastrailoffame.org/events/texas-trail-of-fame-awards-banquet/






Thursday, July 22, 2021

NEWLY NAMED HALL OF FAMER JOHN SCOTT SHERRILL ANNOUNCES UPCOMING PERFORMANCE AT THE BLUEBIRD CAFE

 



Newly named Nashville Songwriters’ Hall of Fame inductee John Scott Sherrill will celebrate the release of his new EP Copper Tears when he returns to The Bluebird Cafe on Saturday, August 21 at 9:30 p.m.

Joining Sherrill at The Bluebird Cafe will be friends Dennis Robbins (“Two of A Kind Workin’ On A Full House” by Garth Brooks, “Church On Cumberland Road” by Shenandoah) and Curtis Wright (“There For A While” by Steve Wariner and “Next To You Next To Me” by Shenandoah) .

For more information, visit http://www.bluebirdcafe.com/calendar-node-field-event-date/month/2021-07

Like many songwriters, Sherrill has spent the past couple of years watching the changes all around him, including divisions stemming from politics, COVID-19 isolation and over-development. His response is a collection of songs that address what he (and the rest of us) have been experiencing.

Songs on Copper Tears – produced by Sherrill with Ronnie Bowman and Scott Paschall – include a call for unity (“You Are Still Great”), a plea for humanity (“Copper Tears”), a reflection on the loss of the family farm (“Five Generations of Rock County Wilsons”) and historic sites (“Boomtown”), the longing of separation (“Far Away Angel”) and the passing of time (“Shot From A Cannon”).

Copper Tears features the same acoustic instrumentation and country charm as his 2018 acclaimed release, Mr. Honky Tonk. The songs deliver Sherrill's trademark clear-eyed lyrics and memorable melodies.

Over the years, Sherrill has written 11 #1 hits and countless covers for the likes of Patty Loveless, John Anderson, Josh Turner, Peter Wolf & Mick Jagger, Steve Wariner, Brooks & Dunn, George Strait, Jimmy Buffett, and Alison Krauss, among others. His co-writes include such legends as Michael McDonald, Steve Cropper, Peter Frampton and Dave Loggins.

Top shelf musicians enlisted for the project include Rod McCormack (guitars), Josh Matheny (dobro), Dave Pomeroy (bass), Michael Spriggs (acoustic guitar), Eddie Bayers (drums) and Patrick McAvinue (fiddle).

Thursday, August 6, 2020

RISING COUNTRY ARTIST MATT CASTILLO PREMIERES NEW VIDEO FOR LATEST SINGLE, "SAY IT"

WARNING - REAL COUNTRY MUSIC AHEAD


Rising Country artist Matt Castillo recently premiered his brand new video for his current single, “Say It".

The song is the first single from his forthcoming new album, How The River Flows.

“Despite being in the middle of a pandemic, budget and having limited locations available,” says Castillo, “We managed to pull off a music video!”

“Say It,” which is currently moving up the charts, is Castillo’s latest up-tempo, toe-tapping, barn-burner honky tonk song. Written by Castillo along with noted songwriters Roger Brown ("She Gets That Way" for Kenny Chesney, "We Must Be Loving Right" for George Strait and Barbara Streisand), Tommy Conners ("The Last Ten Years (Superman)" for Kenny Rogers) and Don Rollins ("Five O'Clock Somewhere" for Alan Jackson and Jimmy Buffett), the infectious “Say It” is an introduction into the young artist’s ability to tap into a timelessly vital vein of the Lone Star state’s multiple musical traditions. 

The video was directed by 613Media Productions with Trenton Johnson and Claiborne Myers. Shot at Hillbilly’s in McAllen, Texas, Castillo enlisted his friend Arianna Silva to play the part of his ex-girlfriend (that he’s trying to win back in the video), and they were joined by band members and friends from his hometown. “They all made the video that much sweeter with their two-steppin,’ spin-you-around, twirl-you-over-your-shoulder, and know-how to burn up the dance floor,” Castillo says. “We had a blast on the set!”

Produced by Brown, How the River Flows (release date Fall 2020) reflects the Austin-born Castillo's upbringing in laid-back Edinburg, Texas, where he absorbed the region's musical traditions and developed the independent sensibility that's helped him to chart his iconoclastic course as a live performer and recording artist.

Without the benefit of mainstream promotion, Castillo's first two self-released albums, Small Town Stories and Still Sane, established Castillo and his band as a popular presence in Texas clubs and online. His breakout single "For You," from Still Sane, racked up more than 100,000 streams, setting the stage for the vibrant creative evolution that's documented on How the River Flows.

The results on How the River Flows speak for themselves, marking Matt Castillo as a fresh, tenacious talent with a wide-open creative future. 


Wednesday, June 19, 2019

VIDEO: STEEL GUITAR MASTERS PUSH BOUNDARIES OF THEIR INSTRUMENT ON LATEST RELEASE


Mention steel guitar and most people will likely say it’s a sound best associated with honky tonk music.

Mike Daly sees thing differently.

In-demand steel guitarist Mike Daly enlisted several of his peers — including Dan Dugmore, Lloyd Green, Robert Randolph, BJ Cole and Greg Leisz — for his latest release, Renascence. video below is his wonderful performance with the legendary Lloyd Green (The Byrds, Paul McCartney, Don Williams, Bob Dylan, The Monkees, Charley Pride, more) on their original "md.ldg."

Daly, known for his extensive work with such legendary country artists as Hank Williams, Jr. and Travis Tritt, believes the instrument is only limited by a player’s imagination and skill level.

For his third album, Renascence, Daly backs up that belief as he invites a top shelf group of his peers to stretch their skills and knowledge and, in so doing, create a fascinating blend of textures, styles and good vibes from beginning to end.

Joining Daly are steel legends Lloyd Green, BJ Cole, Robert Randolph, Greg Leisz and Dan Dugmore. Together, the music moves effortlessly from one genre to another.

Daly compels listeners to move beyond standard instrumentation. There is no electric guitar, just bass, drums and organ and of course, the pedal steel.

“All the sonic textures were created on a slide instrument,” Daly explained to The Nashville Musician. “That was the goal. I wanted to created all that on the steel to show people there is a lot of depth, a lot of palates, and a lot of color.”




Wednesday, June 5, 2019

COUNTRY ARTIST DAVID ADAM BYRNES AWARDED $24,000 JUDGEMENT AGAINST INDEPENDENT LABEL, SILVERADO RECORDS


PRESS RELEASE - NASHVILLE, TENNESSEE (June 6, 2019)

David Adam Byrnes, whose single “Beer Bucket List” went #1 on the Texas Music Charts in March, has been awarded a $24,000 judgement against independent label Silverado Records, Inc.

“The present legal dispute arose primarily over the course of last year when my manager and I began to voice concerns to the label about my music and things that we believed the label should and shouldn’t be doing,” said Byrnes.

When Byrnes’ concerns went unresolved, he filed a lawsuit in the Davidson County General Sessions Court on February 8, 2019 for various claims and causes of action against Silverado.

The trial date was originally set for April 15, 2019. But the General Sessions Court granted Silverado’s motion for a continuance, and the label decided to reset the trial date to May 20 — which also happens to be Byrnes’ birthday.

Byrnes then filed an additional lawsuit against Scott Thomas, CEO of Silverado Records, and Aaron Chesling, President of Silverado Records, to personally hold them liable for the same claims and causes of action that Byrnes had brought against Silverado Records, Inc - a Tennessee corporation, which, according to the Tennessee Secretary of State was administratively dissolved on August 8, 2018.

On May 20, 2019, Byrnes and his attorney, Chase LanCarte of LanCarte Law, were in court, but representatives for Silverado Records failed to appear. “We were surprised that the defendants didn’t show,” said LanCarte. “They went to such measures to prevent the first trial setting from occurring, and then, they didn’t even show up after they picked the date.”

Upon hearing Byrnes’ case, the General Sessions Court granted default judgment in favor of Byrnes, ruling among other things that:

• Silverado Records, Inc. had been administratively dissolved by the Tennessee Secretary of State, and that Thomas and Chesling were personally liable for all of the actions and operations of Silverado Records, Inc;

• The recording contract had terminated as of December 3, 2018;

• The defendants had failed to timely and properly provide Byrnes with the accountings and payments due to him as an artist, songwriter, and master rights owner, and by refusing to provide Byrnes with the opportunity to audit Silverado’s financial records regarding the sale and exploitation of his music;

• The defendants had converted the royalties and monies owed to Byrnes as an artist, songwriter/publisher, and master owner/licensor by refusing and failing to pay such monies.

The General Sessions Court further granted Byrnes reimbursement for his attorney’s fees and court costs along with punitive damages against defendants, amounting to a total monetary judgment of $24,520.50.

Despite such rulings that should have otherwise provided closure, the Defendants have appealed both judgments, which are now before the Davidson County Circuit Court.

“It’s unfortunate that Defendants have appealed this matter to the Circuit Court,” LanCarte added. “We relied on Silverado’s representation that it would be available to attend trial on May 20, but obviously, we now believe that Silverado had no intentions of attending any trial setting before the General Sessions Court, and its prior motion for continuance was arguably sought merely for delay.

“For Mr. Byrnes, this is a critical time in his career,” LanCarte continued. “He can’t afford to just let his legal matters languish, and I certainly won’t allow it. Mr. Byrnes just had his first #1 single, and he needs to keep the momentum going by having the freedom to release new music. Justice may have been delayed by this appeal, but justice is coming.”

At present, Silverado has still not released or announced any public plans to release Mr. Byrnes anticipated record, Neon Town, which was produced by Trent Wilmon last year. Mr. Byrnes is the first and only artist to provide Silverado with a #1 single on the radio charts.

Thursday, March 7, 2019

MICHAEL MARTIN MURPHEY TO BE HONORED WITH LIFETIME ACHIEVEMENT AWARD DURING 59TH ANNUAL WESTERN HERITAGE AWARDS


Western Singer and advocate Michael Martin Murphey will be honored during The 59th Annual Western Heritage Museum Awards, set for on April 12 —13 at the National Cowboy & Western Heritage Museum in Oklahoma City, Ok.

Murphey, well known for his outspoken passion for the Western Lifestyle, will receive the Lifetime Achievement Award in recognition of his nearly 50 years producing celebrated Western music.

“In the Old West, songs were shared by pioneers, cattlemen, ranchers, painted ladies and even gunslingers as a way of keeping the West alive,” Murphey said. “I have always been drawn to songs about the love of the land, the strength of the prairie folks, the dusty trails, the mythic tales and the legends of a bygone era. I have always admired Westerners for their stubborn determination and deep love of life. That’s what I celebrate in my music.”

“In the past few decades, no musical artist has done more to chronicle, preserve and further the cowboy culture than Michael Martin Murphey,” observed noted music critic Dave McGee. “His music overflows with life, enough for many of us. To saddle up with Murph is to come in closer touch with enduring truths.”

“Few people are as dedicated to preserving the heritage and beauty of the American West quite like Murphey,” echoed Cowboys & Indians magazine. “Through his music he tells the stories and romance of the Native Americans, cowboys, horsemen, ranchers, outlaws and lawmen. But Murphey has gone beyond storytelling through active involvement in the conservation of the relics and the landscape that define his most treasured region.”

Although Murphey first gained national attention on the pop music scene, he has remained true to his Western roots with hits like "Wildfire" and compositions like "Land of Enchantment ( New Mexico)." The former was a major commercial success and the latter is the “Official State Ballad of New Mexico.”

Born in Dallas, Texas, Murphey began his musical career in folk, pop and "outlaw" country music. Following a successful beginning as a songwriter in California where his songs were recorded by the likes of Kenny Rogers and The Monkees, Murphey returned to his native Texas where he, along with Jerry Jeff Walker, Gary P. Nunn and others, gave rise to the Austin Music Scene. Known as the “Cosmic Cowboy Movement” (named for Murphey’s popular song, “Cosmic Cowboy”), the movement set the stage for the Willie Nelson / Waylon Jennings led Outlaw Movement. His current release, Austinology • Alleys of Austin, is a nod to the music that made Austin an American music center.

“Murphey was a key player in the Austin phenomenon,” Craig Havighurst of WMOT — The String recently said. “Murphey, along with Willie Nelson, Jerry Jeff Walker and others forged a country-rock hybrid that became the foundation for the progressive folk music field we now call ‘Americana’.”

Moving to Colorado in 1975, Murphey scored a massive pop hit, "Wildfire" on his landmark album, Blue Sky/Night Thunder. More hit records followed — including “Carolina In The Pines,” “Geronimo’s Cadillac,” “Long Line of Love,” “What’s Forever For,” “Cowboy Logic” and more — but in 1986, he branched out by launching WestFest, an event that would lead the way in the revival of interest in all things Western. This outdoor festival, repeated in many Western locations and almost annually since then, brought together Western artisans, American Indians and musicians representing several genres but with a focus on the West, and made all of this accessible to the public.

In 1990, he convinced his record label, Warner Brothers, to let him record an album of Western songs, Cowboy Songs, Vol 1. Reluctantly, the executives agreed, and were pleasantly surprised w hen the project earned Murphey a Gold Record.

More Cowboy Songs CDs followed, as did Warner's formation of a new subsidiary label, Warner Western. The new label, at Murphey’s suggestion, recruited some of the best Western talent around, artists Murphey had met at Western gatherings in the late 1980 and early 90s, and a new series of Western music releases was started. This gave national attention and product distribution to artists who had only gained regional recognition up to that point, and eventually led to the launch of other record companies.

This past holiday season Murphey took his 25th Annual Cowboy Christmas tour to some 20 cities, celebrating the uniqueness of the Western Christmas. His Murphey Western Institute is a center for the education, preservation and perpetuation of the arts, culture, history and legacy of the American West.

“In the years following the end of the singing movie cowboy era, especially during the 1970s and 80s, national interest in Western music declined,” said O.J. Sikes in American Cowboy magazine. “It might have been lost had it not been for the successful efforts of a few artists and organizers like Murphey who were dedicated to the preservation and continuation of Western music. With his talent, his vision and his dedication, Michael Martin Murphey played a major role in the revival of Western music.”

Other individuals being recognized this year include legendary Hollywood actor Kevin Costner, who will be inducted into the Hall of Great Western Performers, three-time world champion steer roper (and father of Country Music icon Reba McEntire) Clark McEntire, cowboy and former slave who discovered the first Folsom archaeological site, George McJunkin. Noted cowboy entertainer and musician Dave Stamey will be presented with the Chester A Reynolds Award, bestowed on a living honoree who has demonstrated an unwavering commitment to Western values and ideals.

Wednesday, January 2, 2019

THE KENTUCKY HEADHUNTERS RETURN WITH "LIVE AT THE RAMBLIN' MAN FAIR" SET FOR JANUARY 11, 2019 RELEASE

Includes Three Recently Discovered Studio Tracks Featuring 
Legendary Blues Pianist Johnnie Johnson


Alligator Records has set a January 11, 2019 release date for LIVE AT THE RAMBLIN' MAN FAIR, the new album from Grammy-winning Southern blues-rock band The Kentucky Headhunters. The band -- guitarist/vocalist Richard Young, his brother drummer Fred Young, guitarist Greg Martin and bassist/vocalist Doug Phelps --- had never before been to Europe in their 30-plus year career. This set, recorded at The Ramblin' Man Fair in Maidstone, UK, captures them at the height of their raucous, rocking powers.

PRE-ORDER NOW AND THE FIRST 300 COPIES WILL RECEIVE AN AUTOGRAPHED CD 

LIVE AT THE RAMBLIN' MAN FAIR packs an adrenaline-fueled punch as the Headhunters revel in the power of roadhouse rock and blues. From the opening crunch of Big Boss Man to a thunderous take on The Beatles’ Don’t Let Me Down, the energy level is off the charts and the crowd is swept up in one raucous and rowdy good time.

The album closes with three recently rediscovered studio tracks from the legendary MEET ME IN BLUESLAND sessions featuring late blues piano icon Johnnie Johnson (known for his seminal piano work driving Chuck Berry’s most famous songs).

CLICK HERE TO PRE-ORDER NOW

Friday, December 21, 2018

JOHN SCOTT SHERRILL PLAYS FINAL GOOD-BYE TO MUSIC ROW LANDMARK, BOBBY'S IDLE HOUR




Hit songwriter John Scott Sherrill, who has laughingly threatened to "lay down in front of the bulldozers" on demolition day for Music Row's iconic landmark, Bobby's Idle Hour, will play one last time before the honky tonk closes at the end of January.

Sherrill, who has been celebrating the venue for the past several months with his "While There's Time" Tour, will play there on Saturday, January 5. (Bobby's Idle Hour is set to close for good the following weekend.)

Joining him will be his old pal and former Billyhill bandmate Dennis Robbins ("Two of a Kind, Working on a Full House," "Church on Cumberland Road") and dobro master Josh Matheny, who also produced Sherrill's album, Mr. Honky Tonk.

Acclaimed newcomer Emery Adeline will open the show. The evening kicks off at 7:00 p.m. with an in the round featuring The High Lonesome Dreamers — Sally Barris, Templeton Thompson, Sam Gay and Dan Washburn

News of the pending demolition of Bobby's Idle Hour has been particularly difficult for Sherrill. “There just aren’t places on the Row like this anymore,” he laments. “Bobby’s has always had a kind of atmosphere that was conducive for creative people gathering to talk about their songwriting and even play an impromptu performance of their newest work sitting right at the bar. It’s a magical place.”

For the past several months, Sherrill has appeared at the bar playing hits from his vast catalogue, including "Nothing But The Wheel," "Wild and Blue," "Some Fools Never Learn," "Would You Go With Me" and more. He has also been showcasing songs from his brand new album, Mr. Honky Tonk


Bobby’s Idle Hour, long recognized on 16th Ave. South with it’s oversized guitar next to its undersized parking lot, is the latest business to receive an eviction notice to make room for a new, upscale office building. The club is set to close in early 2019.

At each of his “artist-in-residence” performances, Sherrill will invite songwriting pals to join him, trading their songs in keeping with the spirit of the tavern’s history.

Sherrill’s newest album, Mr Honky Tonk, was inspired by many afternoons and evenings spent at Bobby’s Idle Hour. In fact, the video for the album’s title track, was shot at the famous bar. (See “Mr. Honky Tonk” by following this link: https://www.youtube.com/watch?v=3-sRAj8TtsY )

The ongoing development on Music Row has been a source of contention for the past five years. During that time, just under 50 Music Row studios and music industry businesses have been leveled to make way for apartments and office buildings.

“It just seems to be disappearing without any appreciation at all for the work that has been done here by the music community over the past century,” Sherrill says. “It’s heartbreaking.

“But I’m not looking at these performances as a ‘death march,” he continues. “I want to celebrate what Bobby’s has meant to me and so many others of our community. Plus, it’s my hope that ‘Lizard’ (owner Thom Case) will find another home for Bobby’s.

"That's kind of what's behind this 'idle good-bye.'"

Since showing up in Nashville more than four decades ago, John Scott Sherrill has earned a reputation as one of the most reliable, consistent songwriters in a city where you can’t swing a dead cat without hitting another songwriter.

During his tenure on Music Row, he has scored 11 Number One Hits and countless covers by a veritable “who’s who” list of artists including John Anderson, Patty Loveless, Jimmy Buffett, Josh Turner and even Mick Jagger, among others.

With the exception of a short stint with hit Country Music group Billy Hill, Sherrill has remained quietly behind the scenes, letting those other artists interpret his work. That all changes with his new Mr. Honky Tonk, an album that reflects his everyman sophistication, evident not only in his songwriting and the production, but also through his honest and authentic voice.

The album is filled with Sherrill gems, including some that were previously hits: “Would You Go With Me?” (Josh Turner); “Some Fools Never Learn” (Steve Wariner); “Wild & Blue” (John Anderson); “Nothin’ But The Wheel” (Patty Loveless). He also offers several wonderful new songs including “Sweeter Than Sugar Cane,” “Before The Going Gets Rough” and the title cut, “Mr. Honky Tonk.”

“First rate! The material reconfirms the artist’s writing talents while also leaving no doubt that Sherrill—who sounds redolent of Anderson and George Jones—can sing ’em as well as he writes ’em.

— Jeff Burger / No Depression

"Five Stars! Mr. Sherrill’s convincing common man vocal delivery shines atop modestly masterful production and first-rate small group backup.”

— Duane Verh / Roots Music Report

​"Mr. Honky Tonk typifies its title, remaining true to basic grassicana precepts, with steel guitar, fiddles, dobro and mandolin all playing prominent parts in the mix. Sherrill’s country credence is obviously intact, and the tapping of tradition plays a role as well. Mostly though, it’s superior songs that make the most marked impression, and in that regard Mr. Honky Tonk earns both reverence and respect."

— Lee Zimmerman / Bluegrass Today

Tuesday, October 2, 2018

SONGWRITER JOHN SCOTT SHERRILL SAYS GOODBYE TO MUSIC ROW LANDMARK "WHILE THERE'S TIME" AS ARTIST IN RESIDENCE


News of the pending demolition of one of Music Row's last iconic honky tonks, Bobby's Idle Hour, has been particularly difficult for John Scott Sherrill. So the legendary songwriter is planning to say good-bye in fashion with a series of monthly performances — which he calls a "While There's Time" event — beginning in October and continuing through the first of the new year.

Sherrill, who has topped the Country charts just shy of a dozen times and can boast nearly 400 covers of his songs, has long considered Bobby's his favorite place to hang.

“There just aren’t any more places on the Row like this anymore,” Sherrill laments. “Bobby’s has always had a kind of atmosphere that was conducive for creative people gathering to talk about their songwriting and even play an impromptu performance of their newest work sitting right at the bar. It’s a magical place.”

Bobby’s Idle Hour, long recognized on 16th Ave. South with it’s oversized guitar next to its undersized parking lot, is the latest business to receive an eviction notice to make room for a new, upscale office building. The club is set to close in early 2019.

At each of his “artist-in-residence” performances, Sherrill will invite songwriting pals to join him, trading their songs in keeping with the spirit of the tavern’s history. (Sherrill is set to appear October 6, November 3, December 1 and January 5).

Sherrill’s newest album, Mr Honky Tonk, was inspired by many afternoons and evenings spent at Bobby’s Idle Hour. In fact, the video for the album’s title track, was shot at the famous bar. (See “Mr. Honky Tonk” by following this link: https://www.youtube.com/watch?v=3-sRAj8TtsY )

The ongoing development on Music Row has been a source of contention for the past five years. During that time, just under 50 Music Row studios and music industry businesses have been leveled to make way for apartments and office buildings.

“It just seems to be disappearing without any appreciation at all for the work that has been done here by the music community over the past century,” Sherrill says. “It’s heartbreaking.

“But I’m not looking at these performances as a ‘death march,” he continues. “I want to celebrate what Bobby’s has meant to me and so many others of our community. Plus, it’s my hope that ‘Lizard’ (owner Thom Case) will find another home for Bobby’s.

"That's kind of what's behind this 'idle good-bye.'"



Since showing up in Nashville more than four decades ago, John Scott Sherrill has earned a reputation as one of the most reliable, consistent songwriters in a city where you can’t swing a dead cat without hitting another songwriter.

During his tenure on Music Row, he has scored 11 Number One Hits and countless covers by a veritable “who’s who” list of artists including John Anderson, Patty Loveless, Jimmy Buffett, Josh Turner and even Mick Jagger, among others.

With the exception of a short stint with hit Country Music group Billy Hill, Sherrill has remained quietly behind the scenes, letting those other artists interpret his work. That all changes with his new Mr. Honky Tonk, an album that reflects his everyman sophistication, evident not only in his songwriting and the production, but also through his honest and authentic voice.

The album is filled with Sherrill gems, including some that were previously hits: “Would You Go With Me?” (Josh Turner); “Some Fools Never Learn” (Steve Wariner); “Wild & Blue” (John Anderson); “Nothin’ But The Wheel” (Patty Loveless). He also offers several wonderful new songs including “Sweeter Than Sugar Cane,” “Before The Going Gets Rough” and the title cut, “Mr. Honky Tonk.”

“First rate! The material reconfirms the artist’s writing talents while also leaving no doubt that Sherrill—who sounds redolent of Anderson and George Jones—can sing ’em as well as he writes ’em." -  Jeff Burger / No Depression

"Five Stars! Mr. Sherrill’s convincing common man vocal delivery shines atop modestly masterful production and first-rate small group backup.” - Duane Verh / Roots Music Report

​"Mr. Honky Tonk typifies its title, remaining true to basic grassicana precepts, with steel guitar, fiddles, dobro and mandolin all playing prominent parts in the mix. Sherrill’s country credence is obviously intact, and the tapping of tradition plays a role as well. Mostly though, it’s superior songs that make the most marked impression, and in that regard Mr. Honky Tonk earns both reverence and respect." -  Lee Zimmerman / Bluegrass Today

Thursday, April 12, 2018

TEMPLETON THOMPSON RIDES A WIDE CIRCLE IN NEW VIDEO FEATURING MICHAEL MARTIN MURPHEY


Singer/songwriter and recording artist Templeton Thompson called on the iconic Michael Martin Murphey to join her on her new song and music video “Ride a Wide Circle”.

“I couldn’t be more excited” says Thompson, “Michael Martin Murphey is one of my biggest musical heroes!” “I remember riding down Texas back roads, singing along to “Wildfire” and “Carolina In The Pines” so it’s pretty dang amazing to hear that iconic voice singing along with me on this record!

“The fact that he’s in the music video with me is just almost surreal!”

Thompson is a long-time Nashville songwriter whose songs have been recorded by Reba McEntire, Little Texas and JoDee Messina and a host of others. “I spent the first few years of my career in Nashville writing songs for other artists. Actually, I still do, but for the last several years, my focus has been recording my own albums and touring.”

Thompson’s previous music video “When I Get That Pony Rode” was well received and spent 8 consecutive weeks in GAC’s fan-voted Daily Countdown show.

“Ride a Wide Circle” is from Thompson’s “hippie chic cowgirl” album slated for release this Summer.


Friday, December 15, 2017

AFTER 24 YEARS, MICHAEL MARTIN MURPHEY CONTINUES TO PACK VENUES WITH BELOVED COWBOY CHRISTMAS TOUR


After 24 years, American Music Legend Michael Martin Murphey and his Rio Grande Band continues to sell out venue after venue with his beloved Cowboy Christmas Tour.

"It's incredibly humbling that our fans come out to see our show year after year," said the singer best known for hits such as "Wildfire," "Carolinan In The Pines." "Their continued support means more than any award I've ever been given."

Since the tour began in late November, Murphey has had to add performances (which also sold out) in markets like Lubbock, TX, Fredricksburg, TX and Lone Tree, CO and sold out single shows in Lufkin, TX, New Braunfels, TX, Uvalde, TX, Caldwell, TX and Amarillo, TX.

Before Christmas Day, he will have appeared in 12 cities in Texas, Oklahoma, New Mexico and Colorado. Tickets were moving briskly long before the tour began.

Murphey moves into his final week of the tour making stops in Oklahoma City, OK, Anson, TX (for the iconic Cowboy Christmas Ball), Sayre, OK, Ft. Worth, Texas (at Bass Hall), Angel Fire, NM and finally, Lone Tree, CO.

For information, visit: www.michaelmartinmurphey.com

The touring tradition was born in the early 1990s, when Murphey produced an album of
cowboy Christmas songs (he has since produced two holiday-themed albums and one DVD, all available on his website), and has developed into the multi-media production it is today.

For nearly a quarter of a century, Murphey has celebrated the cowboy connection to Christmas. “There is a special relationship the Christmas story has to rural communities, farmers and ranchers,” Murphey observes. “God first sent an angel to livestock people — the shepherds in the field. Whether you’re a believer or not, the story emphasizes the fact that the news of the birth of the Savior of the world is not given to the royalty or politicians, but it goes to the lowest people on the totem pole.
"To me, this is an underscoring of the fact that Jesus came for all people, all races and all classes,” he continues. “Jesus is also traditionally depicted as a shepherd, and many of his parables are agricultural stories about farming, livestock and how the earth works. That means that rural people should feel a significant part of the Christmas message because they were chosen to hear that story first."

Murphey has been a major part of America’s musical landscape for four decades. His huge hits include “Wildfire,” “Carolina In The Pines,” “Long Line of Love,” “What’s Forever For,” “Geronimo’s Cadillac” and “Cowboy Logic.” A multiple Grammy nominee and an inductee into the Western Music Hall of Fame, the Texas Country Music Hall of Fame and winner of the Texas Music Award for Best Album, Murphey is a working cowboy who embraces and celebrates what he calls the cowboy culture —a life based on faith, family, hard work, and a passion for conservation and the environment. He says that this philosophy has a strong impact on his holiday show, as does his own family background.

For 24th Annual Cowboy Christmas Tour tickets and more info, please visit www.michaelmartinmurphey.com



Tuesday, March 7, 2017

JOHN OATES, JOHN MICHAEL MONTGOMERY MAKE APPEARANCES ON WOODSONGS OLD TIME RADIO HOUR


For its Monday, March 6 weekly show, Woodsongs Old Time Radio Hour featured guests John Oates (Hall and Oates) and Country Music hitmaker John Michael Montgomery. (Pictured left to right are Oates, show host Michael Johnathan, and Montgomery.)

Upcoming shows, available live (at 6:45 p.m. EST) via streaming at www.Woodsongs.com, include appearances from noted pianist George Winston, Guy Davis and Aoife O’Donovan, among others.

The WoodSongs Old-Time Radio Hour was created, is produced and is hosted by folksinger Michael Johnathon. The WoodSongs Old-Time Radio Hour is an all volunteer run non-profit organization, and is a worldwide multimedia celebration of grassroots music filmed in front of a live audience. WoodSongs is a one-hour musical conversation focusing on the artists and their music.

The weekly show is live at the Lyric Theatre & Cultural Arts Center. It is recorded and feeds to more than 500 radio stations across North America and Internationally. The radio program is also available to both noncommercial and commercial radio stations.  It is also broadcast on the American Forces Network in 173 nations to over 1 million listeners worldwide, and every US Naval ship at sea.

Friday, January 27, 2017

MICHAEL MARTIN MURPHEY TO SING FOR KANSAS SENATE

Home on the Range Film Screens at the Kansas State Capitol For
Kansas Legislators With Michael Martin Murphey Appearance 

Lone Chimney Films in association with Sperra Studios will present their newest film Home on the Range on Monday, January 30 in celebration of Kansas Day at 2 pm at the Kansas State Capitol for Kansas legislators and staff.

Legendary singer and performer Michael Martin Murphey will sing the iconic Western song, “Home on the Range,” for the opening of the Kansas State Senate. Murphey, best known for his huge hits “Wildfire,” “Carolina In The Pines,” “Long Line of Love,” “Geronimo’s Cadillac,” “Cowboy Logic” and more, has been a tireless advocate for the preservation of western culture, and worked to help preserve the cabin where Dr. Brewster Higley VI wrote “Home On The Range” in 1872.

Located in Smith County, Kansas, the home has been authentically restored and is now a popular tourist stop.

The film tells the story of the song, the cabin and the lawsuit that determined its origins. It has attracted both well-known actors and accomplished musicians as well.

In addition to Murphey, the film features the talents of Rance Howard, Buck Taylor, Darby Hinton, Skip Gorman, Mitch Holthus, Mark Mannette and many others, including several local actors. Musicians contributing to the project include the legendary rock band Kansas, Skip Gorman, John McEuen, Jed Marum, the Sons of the Pioneers and many more.

The film was directed by Ken Spurgeon and was filmed in Smith Center, El Dorado, Topeka and Wichita, Kansas.

Lone Chimney Films, Inc. is a 501c3 not for profit educational film company based out of Kansas.

The film is sponsored by the Kansas Humanities Council, The People’s Heartland Foundation, Emprise Bank, Northfield School of the Liberal Arts, Philip and Becky Elder, Jim Graf, The Murphey Western Institute, The Logan Foundation, Jim and Bev Mershon, ITC Holdings, Russ and Ilene Briggs, Carl and Jeanette Christman, Russell and Margaret Bomhoff and the generous donations of many others.

Thursday, June 9, 2016

MICHAEL MARTIN MURPHEY RETURNS TO HIS ROOTS

By Julie Wenger Watson  

www.michaelmartinmurphey.com

A prolific singer songwriter, Michael Martin Murphey has been an integral part of the American musical landscape since the early ‘70s. Penning and performing perennial favorites “Wildfire”, “Carolina in the Pines” and “Geronimo’s Cadillac”, Murphey’s songs have also been covered by artists like Lyle Lovett, John Denver, Hoyt Axton, Kenny Rogers and The Monkees. His music has topped the pop, country, bluegrass and Western music charts, earning him six gold albums and multiple Grammy nominations over the years.

A native Texan, Murphey grew up in Dallas, part of an extended ranching family. Cowboy songs and Western music have always been a part of his life and he’s been a longtime proponent of Western culture, wilderness and wildlife, as well as the “cowboy lifestyle.” On his latest release, High Stakes: Cowboy Songs VII, Murphey returns to his roots with 13 songs that celebrate that cowboy culture.

“Cowboy music and country music and the music of the plains were brought here in the 1800s, late 1700s colonial period. That is Americana music. That is the original American music,” Murphey commented.

Murphey believes that his home state of Texas, due to its geography and history, was at the center of the creation of this sound.

“[Texas] is the crossroads of black music and Hispanic music and country music and cowboy music, and in many ways, cowboy music from Texas is probably the original American music because it’s so influenced by these,” he commented.

Murphey’s new album is a mix of original songs and covers. He and his son Ryan co-wrote several of the tunes.

“Working with your own flesh and blood is great, and that’s what’s great about the cowboy culture and about the ranchers too, so it fits right in with my tradition,” Murphey noted.

This father-son collaboration dates back decades.

"My son and I have worked together since he was about six years old,” Murphey said. “He may have even been five when he first went on ‘Austin City Limits’ with me. He played guitar and sang a Hank Williams’ song with me. As a teenager, he became my lead guitar player, and over the years, he just became a creative force in my life, including producing a lot of my albums.”

“Three Sons,” a song written by Australian musician John Williamson, is also included on Murphey’s latest release.

“It’s about the pride that [Williamson] has in working with his son on his ranch in Australia,” Murphey explained. “It’s all part of the culture and the way we do business.”

Family ties are important to Murphey.

“My dad and I were very close until the day he died,” Murphey recalled. “My family’s all been involved in my business in one way or another – all my kids, all my grandkids – in the business of making music and helping me get through it all.”

In addition to family, this album also celebrates the land, as well as the people who work it.

“It has a mission,” Murphey said of High Stakes. “This album is about the struggle of people in the cattle business to be recognized for what they do… The mission of this album is to bring out the struggles and the victories. The pride, the joy, the pain, the tears. It’s a set of cowboy songs all about the big human emotions and experiences. It’s about life and death. It’s about outlaw-ing and keeping the law. It’s about love and about forgiveness and about honor – all wrapped up in these songs and seen through the prism of cowboy life.”

For more information on Murphey and his music, visit www.michaelmartinmurphey.com.

Thursday, September 10, 2015

"RED DIRT LEGEND" BRANDON JENKINS TO PLAY SONGS FROM "NEW BLUE BANDANA" IN NASHVILLE


With his new album, Blue Bandana, Brandon Jenkins discarded the normal trappings that come along with a label based album, taking the responsibility himself and releasing it on his newly formed Red Dirt Legend imprint. For the 13th album of his recording career, Jenkins laid down tracks and mixed with his longtime producer Dave Percefull at his Yellow Dog studio in Wimberley over a two-day period.

Jenkins will showcase several songs from Blue Bandana when he appears in Nashville, Tennessee on Wednesday, September 23 at 6:00 p.m. at Acme Feed & Seed, located at 101 Broadway. For information, call (615) 915-0888, or visit http://theacmenashville.com/calendar/brandon-jenkins

Blue Bandana is comprised of raw, unfiltered tracks and mixes that reflect Jenkins’ unflinching songs and signature vocal, leaving the scars not many artists are prepared to expose when recording. The final product is perhaps his finest to date and gives his fans and newly exposed listeners a unique experience of hearing an album that has been recorded with a live performance attitude capturing the emotion of the artist in his unrestrained creative nature with the flaws and mistakes others try to hide.

Known as the “Red Dirt Legend” by his fans and the Red Dirt / Texas Music community, Jenkins is known for his unique songwriting style and musicianship. Throughout his 20 + year music career he has been a mainstay on festival and listening rooms stages throughout the US and Europe, had multiple hits on the influential Texas Music Radio Charts and written hits for others.

Beginning his career as a fresh-faced kid in his hometown of Tulsa, Oklahoma in 1994 to being the bearded, tattooed man currently residing Austin, Texas, Jenkins has never strayed from writing and singing songs filled with honesty, soul, emotion, and never shied away from facing his own demons when composing songs for himself and others.

Penning Red Dirt classics like the hard edged “Finger On The Trigger” to one of the most played and requested love songs “My Feet Don’t Touch The Ground” are testimonies to his diverse songwriting capabilities and recorded performances.

Tuesday, March 3, 2015

MICHAEL MARTIN MURPHEY SCHEDULES STOP AT FRANKLIN THEATER


PRESS RELEASE

FRANKLIN, TENNESSEE — In the early 1970s, Rolling Stone Magazine called Michael Martin Murphey “one of the best songwriters in America.”  Since that time, Murphey has left an indelible mark on the American Music Landscape crafting and recording such iconic hits as “Wildfire,” “Carolina In The Pines”, “Geronimo’s Cadillac”, “Cowboy Logic,” “Cherokee Fiddle”, “Boy From The Country” and more.
 
In the process, he has topped the Pop, Country, Bluegrass and Western Music charts, earned six gold albums and multiple Grammy nominations.

Murphey will appear in Franklin, Tennessee,  at The Franklin Theater (419 Main Street) Thursday, March 26 at 7:00 pm. For information, call 615-538-2076 or visit  http://www.franklintheatre.com

Through all the chart-jumping and genre-busting, Murphey has remained constant to an honest, sophisticated approach to his songwriting.  His new Red River Drifter is a collection that draws from a deep well of eclectic influences ranging from classical to country, blues to bluegrass, pop to western. In fact, it’s simply impossible to pigeon-hole Murphey to one specific genre. He is no more country than rock, no more bluegrass than classical. He is, rather, a true AMERICAN songwriter.

“What I’ve written over the years has always reflected what was influencing me at the time,” says Murphey.  “This album is a return to those days when I was influenced by everything. Right now, some really interesting , intricate melodies are coming to me.”  

A native Texan, Murphey’s songs have always reflected his lifestyle, and are understandably seen through a Western lens, often built on outdoor themes with the sensibilities of his cowboy lifestyle. From the first notes of the bluegrass-driven “Peaceful Country,” Red River Drifter takes listeners on a journey through the broad spectrum of music Murphey absorbs while traveling from city to city — up to 200 dates a year —  from coast to coast.    

At the core of his music is a stubborn determination to be the best songwriter he can be, a focus that has led to his songs being covered by such artists as Lyle Lovett, John Denver, Kenny Rogers, Hoyt Axton, The Monkees and more.  “I spend a lot of time on the road listening to all kinds of music,” he says.  “I grew up in Texas, the world’s number one musical crossroads where anything goes musically.  Texas has produced great artists from every genre. You can wake up and say ‘today, I think I’ll write a symphony’ and you can find an audience for it there. The same can be said about any genre in music.  Texans love music. They enjoy opera and they enjoy bluegrass.  I am a product of that, and I am the Number One fan of all types of music.”  

Red River Drifter was produced by guitar ace Pat Flynn and Ryan Murphey, who has produced Murphey’s last three albums. The majority of the songs were written while the group was working a month-long series of shows in Colorado. “We had a great place to sit on the back porch and look out at the mountains.  It was like sitting there like an eagle on a perch looking at life.”  

It is an approach that has worked well for Murphey.  According to BMI, Murphey has 5 million-performance songs — “Wildfire” (3.9 million), “Cherokee Fiddle” (1.92 million), “Carolina In The Pines” (1.65 million), “Talking To The Wrong Man” (1.21 million), “Still Takin’ Chances” (1.2) — and a total of 11 award-winning BMI songs (6 in Country and 5 in Pop).  Also, according to BMI, repeat, back to back performances of his award winning songs alone, with each song averaging 3 minutes each, would amount to 64 years of continuous airplay.